Evening Dream

I think my favorite subject matter is all in the Missouri Botanical Garden.  If I didn’t have IMG_0892other responsibilities, I would literally set up camp there, and paint morning noon and night!  One late May evening, I was strolling through here prior to the Whitaker music festival.  When I walked through the Japanese garden by the crooked bridge, I was struck by the way the setting sun hit the tops of the trees in the background, and the way it reflected off the water.  What a perfect place to sit and relax.

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Creve Coeur Shadows

I recently took a class with Jerry Thomas called French Impressionist Blue Painting.  The basic premise is that you use at least 2 or more pigment blues, and keep them isolated

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“Creve Coeur Shadows”, 18″ x 14″, oil on canvas panel

from each other in different areas of your painting.

This particular scene is at Creve Coeur Lake in St Louis Missouri.  My husband, sons, and I have spent lots of time sailing here during summers.  I used cobalt blue for the sky, Prussian blue for the water, and ultramarine blue for the snow shadows. Blue is a space color, and there is a strong sense of space in this piece.  I started with a panel toned in bright yellow, to offset all the blues and warm it up, so it wouldn’t look icy cold.  I also used soft pinks, yellows, and violets in the grays of the trees and shrubs.

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Shadows and Reflections

When I was walking past the lily pad ponds by the Linnaeus House in the Missouri Botanical Garden, I was mesmerized by the pattern of lily pad shadows and reflections on the water.

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Shadows and Reflections, acrylic on canvas panel, 14″ x 18

I painted this in acrylic based on a photo I took of the scene.  I enlarged it on my ipad mini, and did a drawing first.  Then I painted in the scene.  It was colorful, but looked somewhat flat and disjointed.  So, I put my Monet on and put lots of broken color in the shadows and the sky reflections.  This made it much more vibrant, and unified the painting.  Later, I darkened some of the shadow areas, and brightened the lighter areas to improve the value system.  Finally, I realized it was hard to tell the reflections and shadows from the actual lily pads and flower, so I put a glaze over the water using a mixture of translucent zinc white, iridescent silver, and iridescent gold.

My favorite part of this is the foreground lily, with the white and gold light reflections on it.

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