This time I combined realism (somewhat) with abstract. During my family vacation in Kentucky, at Lighthouse Landing, I walked around the marina and took pictures that I thought had interesting abstract patterns. In this one, I like how the straight diagonal line of the dock edge contrasted with the sinuous shapes of the lines (ropes). I also like how the bright blue contrasts with the grays and neutral colors of the water and the dock edge. There are some subtleties here, including the reflections of the boats, mast, shrouds, and sky.
The palette I used was phthalo blue, earth green, raw sienna, sepia, white, and an earth violet, I forget which one. It’s the first time I painted wood texture, and I like how it came out.
This is an abstract colored pencil drawing I did yesterday. It’s done on Canson Mi Tientes Touch heavy duty pastel board. It has a toothy, rough surface that holds many layers of pastel or pencil.
When I do an abstract, I start with a basic idea. However, I let the artwork unfold and I let my idea evolve. This makes it more fun, and more of an adventure. When I first started drawing and painting, I was very rigid, and mainly wanted my art to look like the objects I was representing. That’s probably because I was learning the skills of how to render real life objects. Doing abstract work is freeing, and more relaxing for me. I can express a concept, or a feeling, not just physical objects. It’s also fun to play with color, lines, shapes, values, and so on. I love doing geometric forms.
Two things happened with this, that I had not planned. First, the fact that my lines are closer together and less diagonal in the background gives this piece a feeling of one point perspective. Second, I like the striations of light and dark violets in the upper 1/5 of the piece. It reminds me of a sunset with a couple of cloud banks down by the horizon. The green areas remind me of a rural landscape. The yellow/gold/orange in the middle reminds me of the path life takes us on.
I’m naturally drawn to geometrics and patterns. I really enjoy doing all this fine repetitive work. It probably has to do with being high functioning autistic. I also love, love, love color.
I started out drawing a grid of 1 inch squares. Then, I hand drew circles, and divided them into fourths. Within them, I drew triangles with either straight or curved lines. The black in half of each sets off the color quite well. The gray background also sets off the colors. I just let my creative juices flow, and went with that flow.
My color palette was analogous, as well as complementary. The complementary colors were yellow and violet, and then all the colors in between on the color wheel.
How fun is this? It is original. I doubt you would find another like it.
I’m really enjoying doing these abstract pieces. There is so much freedom of expression in abstract work. I don’t have to worry about making it look like a real object. When I first started painting, I was very uptight about making everything look true to life. I have a brain for exact detail, and it’s so easy to get caught up in the millions of details of nature. Whenever I do a representational work, I work from real life or a photo. When I do abstract work, I do it strictly from my imagination. I don’t have to worry about making some semblance of something “out there”.
This piece reminds me of pregnancy, womanhood, fertility, etc. It could be the eggs of marine life in some seaweed. It could be a woman’s womb with eggs in it. It has a very organic sense of rhythm and flow caused by the curved lines, and the lines that echo from each other.
After being very busy taking care of my 13 year old, who is off for the summer, my house and garden, and my health, I finally got back to my art today. I started out with a sheet of heavy duty black toothy pastel paper. I drew “S” curve lines on the paper, and fanned them out. Then, I drew in colors on each “S” curve, in the order of the color wheel. This makes it colorful, but yet harmonious. My color palette is red violet, red, red orange, orange, and yellow, with accents of green. The green accents add contrast, and interest. This piece has a nice flowing organic feel to it. It is all based on curves. At the same time, it is lively and colorful, and has a sense of controlled energy.
I had a marvelous breakfast of quiche Lorraine at the Shaw Coffee Company yesterday with my husband and younger son. After I finished the quiche, I really liked the way the colorful fruit looked against the whites and grays of the plate, napkins, and table top. I took a picture of it. I painted it yesterday and today in acrylics. I’m very happy, because in the past, I had trouble getting the right values. Acrylics darken as they dry, so I compensated by adding a little more white to the paint mixtures.
The palette I used was titanium white, cadmium yellow dark, cadmium red medium, quinacridone magenta, dioxazine purple, prussian blue, burnt umber, and phthalo green. I used Golden acrylics. I mixed optical darks and grays with the blue and burnt umber. I got a nice cold bluish gray. I mixed a speck of yellow into the white to warm it up.
My goal in this painting is not to copy nature, or copy the photo. I am going into a semi abstract mode here. I like how the bright colors of the fruit contrast with the achromatic surroundings and background. The plate, napkins, and table make for a nice abstract pattern of whites, grays, and darknesses. I’m trying to simplify and eliminate detail.
By the way the fruit was exceptionally good. The cara cara orange slices have a touch of pink mixed into the orange color, and were so sweet.
Here is another abstract I did today. I did this in colored pencil (mostly Prismacolor) and Prismacolor Art Stix on Strathmore gray scale paper. I started by drawing wavy lines and boxes within with charcoal. Then I did the rest with the art sticks and colored pencils. The nice thing about Prismacolor, is they have a nice system of grays. There is cool gray, warm gray, and french gray in various values. I decided to make most of the squares in various shades of gray, black, and white. Only a few of the boxes have color in them. In my experience, life is mostly mundane, punctuated with occasional times of joy and excitement. However, the mundane grays make the good times all the more happy by comparison. Here, the grays really show off the bright colors.
This is an acrylic painting I did several years ago. The impetus for this was a class I took on abstract painting. As I am on the autistic spectrum, it is natural for me to be literal and detailed, and to paint almost photorealism. In one way this is fine, but I would like to go beyond just a technical, literal rendering. So, I’m going down the abstract path for a while. I find it very freeing. I don’t have to worry about making something look realistic.
In this piece, I went very organic. I used natural earth colors, including a lot of burnt sienna. I first applied acrylic modeling paste to a canvas panel, and let this dry. Then I painted it. After it dried, I sanded down the tops of the ribs, and exposed the white underneath. The idea here is a an ancient natural artifact or fossil that has been exposed by erosion.
I seem to have taken a turn towards the abstract. I never thought this would happen. However, I have become interested in expressing ideas, instead of physical stuff lately. This piece was entirely hand drawn – no computers here. I only used a ruler for the lines I drew in perspective. I hand drew all the ovals.
Before I knew Jesus Christ and had a personal faith in Him, I was in darkness. I came to trust in Him in 1976.
The square light represents Him. All the small surrounding ovals in white, yellow, green, and blue represent different facets of me, and also me in various stages of my life. Some days in my life, I am towards the dark, blue ovals. Other times I am in the light yellow area. Most days I’m in the green or yellow green areas.
For the past couple of months, I had been struggling with bitterness and resentment. I was in the darker bluer areas at that time. In the past few days, God has really been dealing with me, and I’ve repented of unforgiveness. I’m praying for some people that have been persecuting me and falsely accusing me. I’ve forgiven them. I have to see them as broken, hurting people, which they are. I have to look beneath the surface, which is usually hard, tough, aggressive, and often polished and pretty. My sins against Jesus are so much greater than any transgressions against me. I can only forgive and let go through the power of the Holy Spirit. I have felt such peace and joy since I’ve released all the wrongs done to me. I’m praying for the people who hurt me, sincerely. Thank you Jesus.
I just completed this colorful pastel drawing yesterday. (May 2016) I was raised in a very strict religious home. I was also born with high functioning autism, and being artistic I was somewhat “out there”. This drove my mother crazy. She was always trying to make me fit a certain mold that she thought I should fit into. I also got lots of flak, bullying, and teasing from teachers and classmates. I believe that our world tried to make us fit into a certain mold. That is why I made all the small mini paintings within this painting to fit into a checkerboard pattern. It shows how each person is an individual, yet there are constraints on us imposed by family, religion, society. However, this can be confining, and keep us small. At some point, it really helps to BREAK OUT of the mold people tried to force us into.
I had great fun doing this. I drew this on a large sheet of Sennelier La Carte pastel board in the color sienna. I started out making a grid of 1 inch squares on it. I used hard Nupastels and pastel pencils. I started making a small abstract mini painting in every other square. I just went with the flow on this one, and was very spontaneous. After I was almost halfway done, I decided to BREAK OUT, and very gesturally painted the large element on the lower left side. Freedom to be me feels GOOD. God made me with high functioning autism, and that is exactly how I’m supposed to be. Certain others who can’t or won’t accept me – that is their problem and their hangup.