My First Fish Painting

IMG_0018
Flamboyant, mixed media on canvas panel, 16″ x 20″

I got bored of painting landscapes, flowers, and buildings, which have been my favorite things to paint.  So I decided to paint a fish.  When I came across a photo of the mandarin fish for the first time, I could not believe my eyes.  I have never seen a more colorful, exotic looking fish.  I love fish.  I used to have an aquarium, but gave it up so I could have the 3 cats I have now.  The fish tank was a lot of work.

I have a great love for color, and this subject matter sure fits the bill.  My color palette was Permalba white, lemon yellow, cadmium yellow dark, cadmium scarlet, permanent rose, cerulean blue phthalo, ultramarine blue, and burnt umber.  For the body of the fish, I used the cerulean with a bit of yellow mixed in, and cadmium yellow dark with a touch of cad scarlet added.  I love the various warm and cool blues.  I used glazing in pure ultramarine blue and Liquin for the transluscent fin on the side.

This is oil, on an acrylic background.  It was a labor intensive thing to paint, but I’m very happy with it, and enjoyed painting it.  I am in amazement at the creativity of God, to make such a creature.

Advertisements

Beautiful Day in Forest Park “Time is Forever”

DSC_0019I gave myself a wonderful gift for my birthday.   I went to Forest Park here in St Louis

IMG_0017
Time is Forever, 14″ x 18″, pastel on pastel board

Missouri to paint en plein air.  My sister came out and joined me for part of the painting session, which was an added bonus!  I painted the visitor’s center.  This is one of the many charming old buildings in this town.  St Louis has much beautiful, older architecture.  I remember spending hours with my art teacher at age 8 learning to paint cubes, cylinders, spheres, etc.  and learning how to shade them to make them look 3 dimensional.  This is probably why I enjoy painting buildings to this day.

It was a perfect spring day.  The sun was DSC_0027shining, and it was warm without being hot.  I had lots of people stop by to talk to me, and they were all very gracious.

Boxwood Garden in Pastel

I’m very pleased with how this pastel painting turned out.  It is of the boxwood garden at the Missouri Botanical Garden.  I really like the contrast of the vertical brickwork in the foreground left and the fountains on the lower right, with the horizontals of the garden behind it. It is very colorful.  There is a warm, sunny feel to this piece.  You can see the gazebo through the round opening in the brick wall.  I really enjoyed creating this painting.

IMG_0002.jpg
“Boxwood Garden”, pastel on pastel board, 24″ x 18″

Autumn in St. Louis

IMG_0038.jpg
“Carondelet Maple”, pastel on pastel board

I’m a bit out of order here.  I had painted this en plein air last autumn with my painting buddy Jane Flanders.  This is in Carondelet Park, by the corner of Holly Hills and Leona.  The tree is a maple tree.  Carondelet Park has a lot of karst landscape.  St Louis has a lot of caverns underneath it, and when these collapse, it forms a basin, as you can see here.  I like the effect of the background even better than the orange and red tree.  This is done in pastel.

Dreaming of Warmer Days

I was born and raised in the tropics (Venezuela).  Now, I’m in Missouri, USA.  I really miss the tropical weather in winter!  So, I decided to go to the Missouri Botanical Garden Temperate House, and paint this romantic little scene of vines trailing along a Mediterranean stucco wall.  This is done in soft pastels, en plein air.

IMG_0007
Dreaming of Warmer Days, soft pastel

Tropical Reprieve

My sister and her family went to Thailand, and both of my nephews (her kids) have had jobs teaching English there.  They took many wonderful photographs of it.  I used one of IMG_0009the photos to do a painting.  I was very charmed by this colorful little house with the bougainvillea growing in front of the dirt path.  Notice there is a primary triad color scheme blue, yellow, red (pink).  This painting is done in acrylic.  I used a warm and cool of each of the primary colors yellow, red, and blue, titanium white, and burnt umber, to make an optical black.  The pigments I used were azo yellow, cadmium yellow medium, cadmium red medium, quinacridone red, ultramarine blue, and phthalocyanine blue.

It was hard to get the correct shade of blue on the roof.  I’m new to acrylics, and am still learning how to account for the color shift.  They turn darker as they dry.  I was happy with the way the sky, distant mountains, and banana tree all came out.  I think the bamboo structure for the bougainvillea is neat as well.

Closeup of Crabapple Tree

I just LOVE spring!  Woohoo!!  I’m so excited that winter is over, and spring is here!  I’ve recently been trying out acrylic paints.  They feel a lot different that oils.  I love the fact that they dry quickly, so I can put another layer on in just 5-10 minutes, instead of waiting a day or two, as with oils.  I’m also reading a book about how to paint in acrylics. This new acrylic adventure is really inspiring me!  This book has lots and lots of new ideas, techniques, and so on.  I realize that I’ve been a very traditional painter up till now, relying only on the most basic of tools and techniques.  That’s fine, because it forces me to learn to draw and paint really well.  However, it was starting to get a tad boring, too.

Here is a painting I did of a crabapple tree in full bloom.  This tree is just a block from my house.  I took a photo of it close up.  My palette is titanium white, cadmium yellow medium, cadmium orange, quinacridone red, quinacridone magenta, perylene violet,

IMG_0010
Crabapple in Full Bloom, acrylic on canvas panel, 16″ x 8″

ultramarine blue, and olive green deep.  I started on a bright yellow toned canvas.  This gives the painting a bright, warm feeling.  I painted a bit looser than my general tendency.  I made a point to allow the yellow underpainting to show through.  I drew the shapes in detail on the dry underpainting, then painted it all in.

The two challenges of acrylics for me, is the fast drying time can make it hard to get a good even blend or gradation, and the color shift.  I spent a lot of time researching how to deal with the color shift.  They tend to dry darker than when you apply them.  I bought some tubes of Winsor Newton the other day because they claim to have no color shift, but there is still a slight color shift.  It’s not a big deal.  I’m learning to make the paint a bit lighter than I want to be before I apply it, and to repaint areas that dry too dark.

Enter a caption