I’m making a foray into watercolor painting! Up until recently, I always said to myself “I already do oils, acrylics, and pastels. I don’t need to do watercolors”. However, one day I picked up a set of Tombow watercolor brush pens just to sketch with in the field. I started playing around with them at home in the studio. I really enjoyed the fluid, organic way the paints mixed together on the paper. I also love that I don’t have much set up or clean up, just put the pens in their storage container. The luminous transparent quality is very nice too.
I’ve been learning the technical how-to’s of watercolor from a great youtube channel called “The Mind of Watercolor”.
I worked from a photo of bleeding heart flowers that I took while walking around the Missouri Botanical Garden with my husband. I thought the pink flowers were striking against the bright yellow green foliage.
I started by doing a line drawing. Then, I masked in all but the background with masking fluid, so I could put a graduated wash in for the background. I used watered down acrylic paints in lemon yellow, quinacridone magenta, and viridian green. The latter 2 pigments mixed made a type of violet. After the background wash dried, I removed the masking fluid. I had some minor problems with some of the paper coming up with the masking fluid, because the lady at Dick Blick sold me student grade cheap watercolor paper. (I have since purchased an Arches watercolor block, and will save the cheap paper for sketches and exercises).
Then, I painted in the blooms. I used pink at the top, and then a light layer of violet and light gray because the pink was too saturated in chroma. On the bottom, I added more pink, and violet. For the stems, I did a layer of yellow green, then a layer of hot pink. Then, I did the leaves in pale yellow, and pale green. I was not happy with the outcome. It had no pizzaz. I added more yellow to the leaves. I decided to go impressionistic, and did some pointillism with some Posca pens to add in some highlights, and to unify the colors. I put some green dots in the flowers, and some pink and violet dots in the leaves. I used an ivory Posca pen for highlights on the flowers and leaves. This definitely improved it, and made it more original. I want to try more pointillism in the future.
I painted this en plain air with my husband Jon in fall of 2016 in Holly Hills. Holly Hills is an especially beautiful and charming neighborhood in south St Louis City. The sugar maples have an amazing color scheme. They range from a deep golden orange, up through a beautiful magenta color, with darker oranges and reds in between. These are one of my favorite trees in the fall, because I am a colorist. When I first moved to St Louis at age 15, I was truly blown away by the colors of these, and would just stare at them in awe and amazement. I even remember one Sunday, our family drove to a small country town for a sausage supper in October, and I saw so many of these trees on the way there. I was transported in bliss!
This is a small pastel I did en plain air, with a painter buddy who lives nearby. I did this in the early spring. This is an elegant stone church in south St Louis called Epiphany Lutheran Church. It is at the intersection of Leona and Holly Hills. It is across the street from Carondelet Park, which is where Jane and I painted this. Both she and I love to paint architecture. The color of the pastel board is gray, so it was easy to add my windows and shadows by just erasing away the pastel.
I enjoy the experience of having people come to talk to me during my outdoor painting sessions. I got to meet a neighbor who lives on Holly Hills near this church. She made a wonderful shawl for my painter friend Jane, and she told me all about the Shake festival in Forest Park, which features a free play every evening in June by Shakespeare. This year is Romeo and Juliet.
The trees did not have leaves on them when we painted this. However, my son Andrew suggested I add leaves to the trees. I did that, and I’m glad I did.
I think my favorite subject matter is all in the Missouri Botanical Garden. If I didn’t have other responsibilities, I would literally set up camp there, and paint morning noon and night! One late May evening, I was strolling through here prior to the Whitaker music festival. When I walked through the Japanese garden by the crooked bridge, I was struck by the way the setting sun hit the tops of the trees in the background, and the way it reflected off the water. What a perfect place to sit and relax.
When I was walking past the lily pad ponds by the Linnaeus House in the Missouri Botanical Garden, I was mesmerized by the pattern of lily pad shadows and reflections on the water.
I painted this in acrylic based on a photo I took of the scene. I enlarged it on my ipad mini, and did a drawing first. Then I painted in the scene. It was colorful, but looked somewhat flat and disjointed. So, I put my Monet on and put lots of broken color in the shadows and the sky reflections. This made it much more vibrant, and unified the painting. Later, I darkened some of the shadow areas, and brightened the lighter areas to improve the value system. Finally, I realized it was hard to tell the reflections and shadows from the actual lily pads and flower, so I put a glaze over the water using a mixture of translucent zinc white, iridescent silver, and iridescent gold.
My favorite part of this is the foreground lily, with the white and gold light reflections on it.
This is the first blog I’ve done in a while. My son needed major surgery this past summer, and this fall my mother has had serious medical issues.
I just completed this pastel drawing called “Mermaid Riding Fish”. I did this in Nupastels. The surface I used was a black toned professional artist quality pastel paper with a very rough surface – like sandpaper.
This is a scene at the Missouri Botanical Garden. This is in front of the climatron, which is a very large greenhouse filled with tropical plants and trees. There is a formal series of reflecting pools with lily pads, bronze sculptures, and glass art by Dale Chihuly, such as the yellow onion bulb here.
I took a photo of the scene, and used my ipad Mini as a reference point. I started with a detailed drawing in white “charcoal”. Then, I put in the background. I used a lot of blue green for the background, because the coolness adds depth to the scene. I decided to use a pretty strong blue green for the banana trees in the background. The statue in real life is bronze, and is done by a Swedish sculptor by the name of Carl Milles in the 1950’s. For the colors of the sculpture, I used yellow ochre and blue green together for the mid range values. For the hilights, I used a warm off white, then surrounded it with yellow and orange. I also used this orange in other areas of the painting such as the lily pads, the background landscaping, and the glass onion bulb base. The orange at the base of the glass onion gave it more richness and depth. The blue sky reflecting in the water contrasts very nicely with all of the yellow and orange. The bright yellow glass onion shows up well with the dark water surrounding it. The reds of the blooms in the background landscaping are a foil color, and break up the yellow/green/blue theme.
Overall, this piece has a warm, sunny, lush feeling to it. It shows summer at it’s best – lush green foliage, blue skies, splashing fountains, and bright sun. Here is the listing in my online store.
I got bored of painting landscapes, flowers, and buildings, which have been my favorite things to paint. So I decided to paint a fish. When I came across a photo of the mandarin fish for the first time, I could not believe my eyes. I have never seen a more colorful, exotic looking fish. I love fish. I used to have an aquarium, but gave it up so I could have the 3 cats I have now. The fish tank was a lot of work.
I have a great love for color, and this subject matter sure fits the bill. My color palette was Permalba white, lemon yellow, cadmium yellow dark, cadmium scarlet, permanent rose, cerulean blue phthalo, ultramarine blue, and burnt umber. For the body of the fish, I used the cerulean with a bit of yellow mixed in, and cadmium yellow dark with a touch of cad scarlet added. I love the various warm and cool blues. I used glazing in pure ultramarine blue and Liquin for the transluscent fin on the side.
This is oil, on an acrylic background. It was a labor intensive thing to paint, but I’m very happy with it, and enjoyed painting it. I am in amazement at the creativity of God, to make such a creature.