Yesterday my husband and I went to Forest Park, only 20 minutes from out home, and set up at the top of the Grand Basin in Forest Park. This is in St Louis, Missouri. It was a very warm, sunny, and breezy day. The redbuds were blooming, and the trees had their tender light green leaves just sprouting. I loved the way you could see the other 2 lakes in the distance among the trees.
I did this painting in pastel on indigo blue Canson Mi Tientes Touch pastel board. The dark blue was a very good background color, as that easily provided the shadows. It was a very relaxing and peaceful day for me, and I really enjoyed doing this piece. A very friendly and nice photographer named Kerry Klein introduced himself to me, and we talked for a bit.
I was inspired by the beautiful warm sun, the fresh colorful spring leaves and flowers, and the serene peaceful water. I love the way the sun comes through the little spaces in the bridge too.
Jane, my painting buddy, and I have decided to do a series of plein air paintings in Tower Grove Park. So far, we have painted 2 of the pavilions together. This one is the Humbolt South Pavilion. Tower Grove Park is a historic park in south St. Louis built by Henry Shaw, the one who founded and build the Missouri Botanical Garden, which is one of the top botanical gardens in the world.
I have a small field sketch kit by Winsor Newton. It consists of 12 half pans of watercolor paint in warm and cool versions of the primary colors (yellow, red, and blue), several neutrals, black, and white. The quality of the paint is very good. These paints are
creamy, smooth, and rich in pigment. They are easy and convenient to use. I also had my palette that is part of my plein air Soltek easel to work on. I used a Shade Buddy umbrella so the sun didn’t dapple on my palette and my paper.
I started, as always, by sketching in my subject. I had some trouble with integrating the roof lines with the base of the pavilion properly. Once I got that figured out, it got easier and more enjoyable. I originally made the mistake of not making the roof bigger and wider than the base of the structure. I then drew in the “sides” in perspective, which was rather challenging, since this building is an octagon. I like the fact that all the components of this building are also octagonal – the cupola, the roof, the individual pillars, and even the bases of the pillars (which I omitted in the painting). So much attention was given to details in the older buildings. I also loved the various curlicues and gingerbread details on the building. The main reason I chose this subject to paint is that I love the golden yellow color of the roof. I like how that contrasts with the teal of the columns, and the reds of the trim.
After the sketch, I painted the sky, and then the trees above the pavilion. Then, I painted the pavilion, and then the trees and grass behind the pavilion. The next time I do this, I would change 2 things. Number one, I would mask in the pavilion so I don’t have to paint around all the columns and fluff on the pavilion. Second, I would do the background trees and sky wet on wet to make for a softer look, which would create a better sense of space. I would also paint in the sky all at once, so there isn’t a line and difference in value in the sky on the upper right hand side.
Overall, this turned out all right, especially considering this is my first plein air watercolor painting.
I’m making a foray into watercolor painting! Up until recently, I always said to myself “I already do oils, acrylics, and pastels. I don’t need to do watercolors”. However, one day I picked up a set of Tombow watercolor brush pens just to sketch with in the field. I started playing around with them at home in the studio. I really enjoyed the fluid, organic way the paints mixed together on the paper. I also love that I don’t have much set up or clean up, just put the pens in their storage container. The luminous transparent quality is very nice too.
I’ve been learning the technical how-to’s of watercolor from a great youtube channel called “The Mind of Watercolor”.
I worked from a photo of bleeding heart flowers that I took while walking around the Missouri Botanical Garden with my husband. I thought the pink flowers were striking against the bright yellow green foliage.
I started by doing a line drawing. Then, I masked in all but the background with masking fluid, so I could put a graduated wash in for the background. I used watered down acrylic paints in lemon yellow, quinacridone magenta, and viridian green. The latter 2 pigments mixed made a type of violet. After the background wash dried, I removed the masking fluid. I had some minor problems with some of the paper coming up with the masking fluid, because the lady at Dick Blick sold me student grade cheap watercolor paper. (I have since purchased an Arches watercolor block, and will save the cheap paper for sketches and exercises).
Then, I painted in the blooms. I used pink at the top, and then a light layer of violet and light gray because the pink was too saturated in chroma. On the bottom, I added more pink, and violet. For the stems, I did a layer of yellow green, then a layer of hot pink. Then, I did the leaves in pale yellow, and pale green. I was not happy with the outcome. It had no pizzaz. I added more yellow to the leaves. I decided to go impressionistic, and did some pointillism with some Posca pens to add in some highlights, and to unify the colors. I put some green dots in the flowers, and some pink and violet dots in the leaves. I used an ivory Posca pen for highlights on the flowers and leaves. This definitely improved it, and made it more original. I want to try more pointillism in the future.
One Friday in early spring, I went about 2 – 3 blocks from my home to Old St Marcus Park for a day of plein air painting. It was one of those idyllic spring days where the sun was shining, it was balmy, and nature was exploding with a rich, clear, blue sky, vibrant greens, and luscious pinks. I set up in the grass that was carpeted with violets.
I started by toning my panel with a brilliant cool lemon yellow, which to me is the color of early to mid spring on a sunny day.
After this, I painted the evergreen trees on the left. I did it quickly and somewhat loosely, because time is of the essence when it comes to painting outdoors. I then did the path and the grasses. Then I did the pink crabapple trees. I used cadmium red deep with lots of white. I also added some warm colors for the lighter sunlit parts. I think I mixed in some orange or scarlet. Lastly, I painted in the violets in the grass. I allowed parts of the bright yellow underpainting to show through, to connote warmth and light. This works really well with the parts of the grass that are in the sun. I deliberately simplified the background, which in actual fact had houses and cars, etc, because that wasn’t the point of the painting, and it would have been noise and distraction.
If you closely look at any tree in bloom or in leaf, there are lots of interior darks and grays that support the vivid colors of the outer sunlit leaves and flowers. I made this gray a greenish gray, in order to complement the pinks of the sunlit crabapple blooms. This was done in midday, due to the restrictions of my schedule that day.
When I was walking past the lily pad ponds by the Linnaeus House in the Missouri Botanical Garden, I was mesmerized by the pattern of lily pad shadows and reflections on the water.
I painted this in acrylic based on a photo I took of the scene. I enlarged it on my ipad mini, and did a drawing first. Then I painted in the scene. It was colorful, but looked somewhat flat and disjointed. So, I put my Monet on and put lots of broken color in the shadows and the sky reflections. This made it much more vibrant, and unified the painting. Later, I darkened some of the shadow areas, and brightened the lighter areas to improve the value system. Finally, I realized it was hard to tell the reflections and shadows from the actual lily pads and flower, so I put a glaze over the water using a mixture of translucent zinc white, iridescent silver, and iridescent gold.
My favorite part of this is the foreground lily, with the white and gold light reflections on it.
This is the first blog I’ve done in a while. My son needed major surgery this past summer, and this fall my mother has had serious medical issues.
I just completed this pastel drawing called “Mermaid Riding Fish”. I did this in Nupastels. The surface I used was a black toned professional artist quality pastel paper with a very rough surface – like sandpaper.
This is a scene at the Missouri Botanical Garden. This is in front of the climatron, which is a very large greenhouse filled with tropical plants and trees. There is a formal series of reflecting pools with lily pads, bronze sculptures, and glass art by Dale Chihuly, such as the yellow onion bulb here.
I took a photo of the scene, and used my ipad Mini as a reference point. I started with a detailed drawing in white “charcoal”. Then, I put in the background. I used a lot of blue green for the background, because the coolness adds depth to the scene. I decided to use a pretty strong blue green for the banana trees in the background. The statue in real life is bronze, and is done by a Swedish sculptor by the name of Carl Milles in the 1950’s. For the colors of the sculpture, I used yellow ochre and blue green together for the mid range values. For the hilights, I used a warm off white, then surrounded it with yellow and orange. I also used this orange in other areas of the painting such as the lily pads, the background landscaping, and the glass onion bulb base. The orange at the base of the glass onion gave it more richness and depth. The blue sky reflecting in the water contrasts very nicely with all of the yellow and orange. The bright yellow glass onion shows up well with the dark water surrounding it. The reds of the blooms in the background landscaping are a foil color, and break up the yellow/green/blue theme.
Overall, this piece has a warm, sunny, lush feeling to it. It shows summer at it’s best – lush green foliage, blue skies, splashing fountains, and bright sun. Here is the listing in my online store.
I gave myself a wonderful gift for my birthday. I went to Forest Park here in St Louis
Missouri to paint en plein air. My sister came out and joined me for part of the painting session, which was an added bonus! I painted the visitor’s center. This is one of the many charming old buildings in this town. St Louis has much beautiful, older architecture. I remember spending hours with my art teacher at age 8 learning to paint cubes, cylinders, spheres, etc. and learning how to shade them to make them look 3 dimensional. This is probably why I enjoy painting buildings to this day.
It was a perfect spring day. The sun was shining, and it was warm without being hot. I had lots of people stop by to talk to me, and they were all very gracious.