Sandy Creek Covered Bridge

Today, I went to Goldman, Missouri to paint this quaint old covered bridge.  It was a perfect day to paint outside – gentle breezes, warm, but not hot, and best of all I found a shady spot in which to paint this.  This was done in soft pastels.  First, I walked all IMG_0015around the area to find a good view.  Then, the smart phone came in handy to make a good composition, avoiding center lines.  A few lines were drawn based on this, and then the gadget was put away.

I completed the drawing in white “charcoal” using Sennelier La Carte pastel board in the color sienna.  This has a rough, toothy surface that grabs and hold on to the pastel.  It is possible to layer it thickly, and get some really good intense, vibrant colors in there.  NuPastels were used first – dark, earthy red for the shadow side of the

IMG_0028
Sandy Creek Covered Bridge, soft pastel on pastel board, 18″ x 13 3/4″

covered bridge, and a bright tomato red for the light side.  I paid attention to the structures inside of the covered bridge, as well.  Cooler, grayer greens were selected for the background trees, and warmer, higher chroma greens for the foreground trees, shrubs, and grass.  I also blended and softened the edges of the background trees.  Dark blue was lightly scumbled over the green for the darker shadow areas of the greenery.   Finally,  the large tree covering the left side of the bridge was left out, as the composition would benefit from an area of flat color to offset all the variations in the surrounding greenery and the sun dappling.

I love to paint bright, sunny scenes.  The key to that is to use a strong value system, including darks.  This supports the lighter yellow greens, pinks, peaches, etc in this landscape.  I made a special  point to use my blue greens as well for the shadowy areas.  Can you see the contrast between the warm and cool areas?

A guy was riding his bike over the bridge. That would really add a lot, to put him in there img_0016.jpgon his bicycle, so I asked him to ride through again slowly, and he kindly obliged.  He was very nice, and we talked for a while.  He took some pictures of me painting.

Advertisements

Beautiful Day in Forest Park “Time is Forever”

DSC_0019I gave myself a wonderful gift for my birthday.   I went to Forest Park here in St Louis

IMG_0017
Time is Forever, 14″ x 18″, pastel on pastel board

Missouri to paint en plein air.  My sister came out and joined me for part of the painting session, which was an added bonus!  I painted the visitor’s center.  This is one of the many charming old buildings in this town.  St Louis has much beautiful, older architecture.  I remember spending hours with my art teacher at age 8 learning to paint cubes, cylinders, spheres, etc.  and learning how to shade them to make them look 3 dimensional.  This is probably why I enjoy painting buildings to this day.

It was a perfect spring day.  The sun was DSC_0027shining, and it was warm without being hot.  I had lots of people stop by to talk to me, and they were all very gracious.

Tropical Reprieve

My sister and her family went to Thailand, and both of my nephews (her kids) have had jobs teaching English there.  They took many wonderful photographs of it.  I used one of IMG_0009the photos to do a painting.  I was very charmed by this colorful little house with the bougainvillea growing in front of the dirt path.  Notice there is a primary triad color scheme blue, yellow, red (pink).  This painting is done in acrylic.  I used a warm and cool of each of the primary colors yellow, red, and blue, titanium white, and burnt umber, to make an optical black.  The pigments I used were azo yellow, cadmium yellow medium, cadmium red medium, quinacridone red, ultramarine blue, and phthalocyanine blue.

It was hard to get the correct shade of blue on the roof.  I’m new to acrylics, and am still learning how to account for the color shift.  They turn darker as they dry.  I was happy with the way the sky, distant mountains, and banana tree all came out.  I think the bamboo structure for the bougainvillea is neat as well.

Autumn Mist

I just finished this painting a few minutes ago.  I used a photo as a reference for this.  My usual style is high key, colorful painting.  My goal in this particular piece was to loosen up a bit, and paint somewhat more softly.  I love how the violets and blues in the mists contrast with the golds, yellows, and reds in this.

My palette consisted of zinc/titanium white, cadmium lemon, cadmium yellow deep, yellow ochre, burnt sienna, purple lake, indigo, and terre verte, and burnt umber.  (I don’t care much for terre verte, but I wanted to use it up).  I mixed indigo with burnt umber to make my dark.

Fall is my favorite time of year.  We had an especially spectacular one this year here in Missouri.  It was extended due to warmer than usual weather.

img_0046
Autumn Mists, oil on canvas panel, 12″ x 16″

Getting Back Into Plein Air Painting

I just met a woman who is also a painter, and she lives only about a mile away.  We have gone painting a couple of times, and having a painting buddy is very motivating to get me painting more regularly.

For the past several years, I had gotten more in the habit of studio painting, and was doing little painting on location.  However,  I need the challenge of painting a scene on the spot, and knowing that I have to get it down quickly, because the light changes so fast.

Jane and I painted in south St Louis at the corner of Loughborough and Field.  There is a quaint old brick house at the corner, with some whimsical trees, and stepping stones laid around.  I think these types of properties are so much more pretty and interesting that a perfectly manicured new home with that sterile, plastic look to it.  I love the weathered, irregular look.  It tells a story, and I can feel the history that happened here.

So I was very drawn to the two trees with the colorful autumn leaves still clinging to them, even into December, since we’ve had such a mild autumn.  I love the contrast between the bright colors of the leaves with the bluish grayness of the neighbor’s house behind it.  I also like the contrast of the straight lines of the houses with the sinuous, twisting lines of the trees that almost seem to be dancing.

To be honest, I had a hard time with this painting.  My heavy, bulky coat managed to knock one of my pastel trays onto the ground, spilling them all over.  I also didn’t simplify the scene at first, and tried to include too many elements.  I messed up the sky, and had to remove it, and redo it.  I tried to soften the pastel marks of the left tree, and ended up with a muddy mess. At one point, I was so frustrated I considering giving up on it.  Thankfully, I calmed myself down, and just went on trying to rescue it.  It came out better than I anticipated.  Here is the listing in my online store.

last-holdouts
Last Holdouts, pastel, 15 1/2″ x 10 1/2″

Under the Crabapple Tree

Spring is such a lovely season.  After the cold and dark of winter, the warmth and sun are such a welcome relief to me.  A little while back, I painted this en plein air at a local microbrewery in a small town in Missouri.  It is an uphill view, and shows the play of light and color of the sun shining through a crabapple tree.  It has a soft, dreamy feel about it.  That is how I was feeling that day when I painted it.  I remember listening to old 60’s tunes  that the brewery was playing, and it gave me a nostalgic feeling.  I was little kid in the 1960’s.  There was a charming older home at the top of the hill.

Click here to see the listing in my etsy store. 

UndertheCrabappleTree
Under the Crabapple Tree, 20″ x 16″, oil on canvas panel