I think my favorite subject matter is all in the Missouri Botanical Garden. If I didn’t have other responsibilities, I would literally set up camp there, and paint morning noon and night! One late May evening, I was strolling through here prior to the Whitaker music festival. When I walked through the Japanese garden by the crooked bridge, I was struck by the way the setting sun hit the tops of the trees in the background, and the way it reflected off the water. What a perfect place to sit and relax.
I just finished this painting a few minutes ago. I used a photo as a reference for this. My usual style is high key, colorful painting. My goal in this particular piece was to loosen up a bit, and paint somewhat more softly. I love how the violets and blues in the mists contrast with the golds, yellows, and reds in this.
My palette consisted of zinc/titanium white, cadmium lemon, cadmium yellow deep, yellow ochre, burnt sienna, purple lake, indigo, and terre verte, and burnt umber. (I don’t care much for terre verte, but I wanted to use it up). I mixed indigo with burnt umber to make my dark.
Fall is my favorite time of year. We had an especially spectacular one this year here in Missouri. It was extended due to warmer than usual weather.
I’m quite happy with this painting.
I spent a good amount of time, many hours in fact, mixing all of my basic colors of oil paints. I got some very beautiful, complex reds from mixing yellows with red violets. I decided to try one of these mixtures for these stunning and colorful daylilies. The color of the flowers is based on a mix of cadmium yellow medium and quinacridone rose. I also used Permalba white, yellow ochre, ultramarine deep, sap green, and Van Dyke brown. I painted the background smoothly with a brush. Then, I painted in the dark shadows with a muted blue green. I painted the leaves in with a brush, from dark, to middle, to light values. I put in the flower petals and the flower throats with palette knives. I made a point to blend the back edges of the flower petals into the background somewhat to add depth. Lost and found edges are very good to have. It adds depth, and helps the positive and negative space to flow together into a unified whole.
I let this dry for a few days, then I painted in the flower buds with palette knives, then the stems. After this dried to the touch, I added some hilights, and a few minor details. In my opinion, this is one of my best floral paintings. I hope you enjoy seeing it as much as I enjoyed painting it. Here is a link to the online listing.
This time I combined realism (somewhat) with abstract. During my family vacation in Kentucky, at Lighthouse Landing, I walked around the marina and took pictures that I thought had interesting abstract patterns. In this one, I like how the straight diagonal line of the dock edge contrasted with the sinuous shapes of the lines (ropes). I also like how the bright blue contrasts with the grays and neutral colors of the water and the dock edge. There are some subtleties here, including the reflections of the boats, mast, shrouds, and sky.
The palette I used was phthalo blue, earth green, raw sienna, sepia, white, and an earth violet, I forget which one. It’s the first time I painted wood texture, and I like how it came out.
… because of a veritable storm of family issues. There have been 3 significant injuries over the past 2 weeks – 2 dislocated shoulders, and a dislocated toe. My older son Jonathan got his car totaled on a 3 week road trip all over the western USA, then got stranded in Colorado (we live in Missouri) because a freak hailstorm with tennis ball sized hail ruined all the rental cars. My husband and I were spending the week dealing with the various health issues and auto insurance claim stuff. Many other things have gone on too, which I don’t want to bore people with. I’m extremely thankful that he and his girlfriend came out of this unharmed. Thank you Jesus! I had been praying for him every day, and the Lord was with him.
Fortunately, I have been able to still squeeze in some time for painting.
I like to walk every day if I can. I go around my neighborhood. I’m fortunate to live in south St Louis, where there is quite a lot of old and beautiful architecture, and tree lined boulevards with shady parkways in the middle. One day, I walked past an alleyway, and saw a charming wooden fence. Someone must have planted some meadow mix along the base of it. There were some colorful wildflowers growing along the base of it.
There is a subtle complementary color scheme going on here. It is yellow and violet. The fence is based on yellow orange, and the alley and some of the flowers are blue violet. I went impressionist on this by using broken color on the fence and pavement. I also have an interesting contrast between the urban elements of street, power line shadows, dumpsters, and fence, with the organic plants, tree, and flowers. The rather austere appearance of background dumpsters and garages emphasizes the beauty and grace of the blooming things. Here is the listing in my online store.
This is one of few night scenes I have painted. I love the drama of night scenes! I’ve been getting somewhat bored with just regular day scenes. There seem to be a preponderance of paintings of landscapes of fields, woods, hills, trees, streams, and rocks. Don’t get me wrong, these are just as valuable and beautiful.
I love to do architecture. There is something about building up that geometric sense of structure, and the modeling that goes along with it. This is the Carondelet Park boathouse. This park is in south St. Louis, just 3 blocks from my home. One evening, my husband and I were there, just relaxing and enjoying the encroaching evening. Since this view faces east, the sky and resulting lake reflections are very blue. My favorite aspect of this, and the focal point, is actually the light, not any particular object. The building acts more as a support and as a secondary minor focal point. The light reflections on the water are the main focal point.
My palette was a titanium/zinc white, cadmium yellow medium, venetian red, mars violet deep, French ultramarine blue, terre vert, and burnt umber.
I participated in a plein air event in rural Missouri years ago. In this scene, I’m seated at the corner of 2 country roads painting a homestead on a hill as the sun sets behind it. The lady that lived at the corner came out and spoke to me and was friendly and nice. This is in Defiance, Missouri. I love how the sky has the warm pinkish orange glow, and the long shadows of the trees on the gentle slope. I remember feeling peaceful and relaxed as I was painting this. I think this feeling came through in the art work.